describes the "nature vs. nurture" debate. KATY: I kind of saw Jentorra as someone who was already part of a warrior society, so maybe she was used to fighting already, but in kind of a way different level. ROHAN: Considering that you had done Black Lightningand Agents of S.H.I.E.L.D.,and already gotten a small taste of superhero projects before stepping into this massive MCU project. The light outside disappears. For removal of copyrighted images, trademarks, or other issues, Contact Us. Top Films of the 2010s as voted for by RYM (2021/Final edition), NEW TOURNAMENT: [PPE] RYM Picks the Most Outstanding Acting Performances in Cinematic History, Top Films of the 2010s as voted for by RYM (2020 edition), Top Films of the 2010s as voted for by RYM (2019 edition), Dark/Sinister films that have upbeat music during the credits, Top Films of the 2010s as voted for by RYM (2018 edition), RYM's Preferred Female Performances: 2011, Top Films of the 2010s as voted for by RYM (2017 edition), United Kingdom, United States, 35mm, Color, Dolby Stereo, Literary Adaptation, Artificial Eye, Code Red, Oscilloscope Pictures. Don't get in arguments with people here, or start long discussions. This is not entirely his fault. The story goes back to the past to recreate the events that led Eva to her present discontent. Copyright 2023. ROHAN: You have a few scenes with Kathryn Newton, who is playing Cassie, in the film. It asks, "who is to blame when something horrific happens?". Motherhood was therefore intended as a punishment.. So, you kind of draw from that, but then, you also think about just putting yourself in that position too. February 24, 2023 at 12:05 PM ET. Hosted by Michael Barbaro and Sabrina . Only the daughter, Celia (Ashley Gerasimovich), seems halfway normal. Although the act is enhanced through visual obscurity and concealment, we get the idea that Kevin kills a few of his classmates in the locked auditorium. The film moves without any pattern between past, present and who knows when. Indeed, one of. Any spoilers should be placed in spoiler tags as such. While Ant-Man and the Wasp: Quantumaniadidn't bring back several mainstays of the wider Ant-Man family, the film did introduce a number of new allies, namely Jentorra and her Freedom Fighters. The Bad Mother refers to oppressive puritans like Margaret White in Carrie. Jake Martin, SJ, is a Jesuit priest, comedian and writer. He's aware of her feelings toward him, and throughout the film, points them out. Stripes provide Kevins character a continuity while shedding light upon his individuality. The film ends with the emotionally blank mother visiting her son on the second anniversary of his crimes, just before he's transferred to an adult prison. After you see the film, think about it. Swinton told me of a line in the script that wasn't used, wisely, I believe. Helmed by Scottish filmmaker Lynne Ramsay based on the Orange Prize-winning eponymous 2003 novel by Lionel Shriver, 'We Need to Talk About Kevin' is a jarring, erratic, and sometimes profoundly disturbing 2011 psychological thriller that creates an uncanny place in the viewer's mind. By. But Kevin is just getting started, and his final act will be beyond anything anyone imagined. This terrifying South Korean found footage horror movie directed by Jung Bum-shik follows an internet broadcaster who reunites a team of . Super-Hero partners Scott Lang (Paul Rudd) and Hope van Dyne (Evangeline Lilly) return to continue their adventures as Ant-Man and the Wasp. Trademark | This is why, in the final scene, he no longer knows why he performed the massacre. Near the top of the list of the worst movies to watch on Mother's Day is "We Need to Talk About Kevin." Plus, she also touches on a potentially big deleted scene that would've seen her cross paths with Krylar (Bill Murray) and teases possible beef with Janet van Dyne (Michelle Pfeiffer). We Need to Talk About Kevin (2011) photos, including production stills, premiere photos and other event photos, publicity photos, behind-the-scenes, and more. Between the ages of 6 and 8 years old, played by Jasper Newell, he is a clever little monster who glares at Eva hurtfully, soils his pants deliberately and drives her into such a fury that she breaks his arm. And I really am curious as to how she's handling a society of ultra-intelligent ants that basically flooded her world. And of course from there, we learn he perpetrates a mass killing at a school. She lives with the guilt of what her son did, on top of the guilt of knowing she did nothing about the various warning signs. He doesn't have the emotional capacity to have a disturbed son, and so has decided that he doesn't and that's the end of it. Footsteps approach the tent and a figure walks past. Sometimes Zuzu's petals are all you have to hold onto. But Kevin is just getting started, and his final act will be beyond anything anyone imagined. I mean, there's no room for the leader of the rebellion to give up. When Eva gets pregnant for the second time, Kevin feels that he has become estranged from the family and grows jealous. ; Black Lightning) played this powerful new character, who has been engaged in this ongoing struggleagainst Kang (Jonathan Majors) for far longer than most and has paid an incomparableprice while trying to liberate her people from his rule. As a baby and toddler, he is merely colicky, irritating and would try the patience of a saint. We're supposed to understand Kevin through Eva's flashbacks, which are indeed confusing, but not chronologically, where the difference lies solely in Tilda Swinton's hairstyle. We Need to Talk About Kevin Jump to Edit Summaries Kevin's mother struggles to love her strange child, despite the increasingly dangerous things he says and does as he grows up. Still, the film should not be overshadowed by its leads performance, as is often the case with female Oscar nominees. Don't use this space to complain about the average rating, chart position, genre voting, others' reviews or ratings, or errors on the page. This is also true of Eva, but we see the conflict in her about her son's mental state. In the next sequence, he appears in a loose white shirt. She frames Eva's discomfort against overjoyed mothers showing off their baby bumps in a pre-natal yoga class. Franklin and Kevin have no special connections like that, and Franklin appropriates Eva's so that he can have something manly to do with his son. Her public perception is unlikely to change, but Eva appears firm in her choice to stick around for Kevin's sake. Lionel Shriver's source novel is a quirky, disturbing take on the high school killer story. Some animals sometimes know that something is not right with fetus and can even abort it voluntary or when it is born, they abandon it. Anyways I haven't read the book but I guess I probably should lol, Scan this QR code to download the app now. Indeed, Kevin is a relentless film that gives its audience few opportunities to come up for air from the depths of anguish to which it plummets. "At the end of the day, I have no idea, and that pure, serene, ignorance has become, itself, a funny kind of solace," she writes in a letter to her deceased husband. If this were an act of self-penance it might make sense, but there's no real sense Eva is doing it out of guilt either. Read on for our full interview with Katy O'Brianand please remember to SUBSCRIBE to my channel for exclusive content! She mentions that she believes he'll be released in five years. Crypto Privacy Policy. I'd be happy to see what they come up with, but, they have more of the understanding of the wildness of the world that they're building. ROHAN: Jentorra does have a comics counterpart, did you draw on those stories to inform your backstory or did you work with Peyton to create anew backstory for the film? The woman sits up in alarm and shakes the MAN. We Need to Talk About Kevin is a 2003 novel by Lionel Shriver. You couldnt have possibly thought that seeing someone eat lychee would be so distressing, but Ezra Miller makes it happen. We Need to Talk About Kevin : r/books. All Rights Reserved. See production, box office & company info. A prolific writer and the ostensible head of a travel agency, Eva cares more about her own unfulfilled wishes than her ever-menacing son. He grows into a spiteful toddler, refusing to say "mommy" and egging on her frustrations. I think Jentorra felt a little betrayed by her, and there was no real reconciliation with them at the end. None of that takes anything away from yet another deeply felt performance by the always-interesting Swinton. She has something of an answer as to why Kevin committed such terrors, but where does that leave her? Her husband Franklin (John C. Reilly) dismisses her concerns and uproots their bustling city life for a quiet home in the suburbs. KATY: We had this whole scene where we're all cheering at the end kind of thing. In 1975, he won the Pulitzer Prize for distinguished criticism. Kevin, it seems, has a method to his madness. At first glance, it would seem that Kevin is yet another installment in the pantheon of post-modern films intent upon assaulting the human desire to give meaning to the world. She obviously feels complicit and takes on the role of communal scapegoat as a way to expiate her own guilt as well as to grieve the loss of her family. Evas struggle to connect with Kevin only deepens with age. When the child Kevin is sick and nuzzles close to his mother as she reads, his father comes to the door and is rejected in favor of his mother, the look on Evas face is one of wonder and delight. Kevin relentlessly cries in the custody of Eva, but Franklin seems to know how to stop him. In any other movie, that would be child abuse. The ending of the film leaves Eva's fate up in the air. I could have sworn that during the first time I watched it there was a scene of Kevin, Franklin and Celia in the garden and it shows how Kevin actually murdered them. KATY: Oh, I'd love to come back. She isn't even really at the center of it; that position is occupied by her son, Kevin, who is an instinctive sadist with a gift for knowing exactly how to wound her, reject her, deceive her and make her soul bleed. The shelves and tabletops are as barren as those in a display home. And the whole thought was just to fight and keep fighting? Franklin didn't do that - he wasn't even there. But we can safely assume that Kevin did not literally eat the eyeball. However, just the neglect of his mother would not amount to the cathartic finale. for disturbing violence and behavior, some sexuality and language, Berlinale 2023 Highlights, Part Two: Reality, Manodrome, The Adults, Inside, Golda, Angela Bassett, Jamie Lee Curtis, Brendan Fraser, Cate Blanchett, Colin Farrell and Brendan Gleeson Feted at SBIFF 2023, Revisiting Martin Scorsese's Alice Doesn't Live Here Anymore, Tragically Common: Jamie Dack, Lily McInerny and Jonathan Tucker on Palm Trees and Power Lines. Community Guidelines | In a film otherwise devoid of hope, these subtle suggestions give the audience a sense of comfort. For full Oscars coverage and commentary by its reviewer, Fr. Though Ramsay does away with Eva as a first-person narrator in the film, she still retains Eva's point-of-view throughout. Kevin is seen to be wearing short clothes most of the time, like when Eva takes him out for mini-golfing. Secretary of Transportation Pete Buttigieg's response to Donald Trump's refusal to accept any responsibility for the impact his massive deregulations have had went viral on Thursday as video of him encouraging the ex-president to support the Biden administration's efforts went viral. 2003-2023 Best Little Sites, LLC. A lawsuit could force the F.D.A. ", Did Kevin internalize her hatred of him, or is she just feeding into his innate instability? Directed by: Lynne Ramsay. None of this is done in a straightforward fashion. She created a relationship which encouraged him to act out as horribly as possible to get the most honest reactions from her, because she only ever showed him her real emotions when she was disgusted. We learn that Kevin was a difficult, colicky baby, who grew up to be a difficult, problematic child who seemingly refuses to toilet train, despite a rather surprising vocabulary. After this episode, Eva and Kevin seemingly become more affectionate towards each other. Putting herself through a painful process of introspection, she revisits moments from well before Kevin's birth to the eventual tragedy. Best Little Sites is not liable for inaccuracies, errors, or omissions found herein. We also did a lot of blue screen work before, which really helps with the imagination. ", As with any book-to-film adaptation, some of the nuances were lost in translation. He answers, I used to think I knew why, and now Im not so sure. This small act of hesitant humility is followed by Kevins embrace of his mother which can only be likened to the embrace received by that infamous scriptural progeny upon his arrival home. Growing up with a cold mother does not turn one into mass murdered either. His attitude towards his son is warmer, but underneath there's no more depth than there is with Eva. When Eva goes to meet Kevin in the detention center, she asks him the same question. As a portrait of a deteriorating state of mind, "We Need to Talk About Kevin" is a masterful film. What feels like a simple story feels so much larger due to the development of every character and the world around them, it almost feels like you know these characters personally and feel for them when something happens, that is a what great movie does. She is the wrong person in the wrong life with the wrong child. He buys a few locks before the school sabotage and has a decisive plan regarding how to go about it. Shriver welcomes the sharply divided interpretations, writing in the Harper Perennial P.S. I think that she and Jentorra had a huge past together. Something just happened. The film primarily shows you the pathos of evil by painting a portrait of a deeply and violently disturbed young man from his mother's point of view, and you watch how this relationship built and how that pathos developed. Kevin's bedroom is actually the biggest red flag in the film, and the fact that neither Eva nor Franklin noticed that Kevin's bedroom clearly displays the signs of mental illness until he was fifteen years old proves beyond a shadow of a doubt that Franklin had never looked in his bedroom, wasn't interested in his interests or hobbies, and didn't want to know what he did in his spare time. Menu. Each rewatch only feels more rewarding because Ramsay is so pure and gifted a filmmaker she rattles and revises our preconceptions of what a movie and yes, mother too can be. The two embrace, and then she walks away. This review of the film was originally published on December 22, 2011. Go. Finally. Cookies help us deliver our Services. By using our Services, you agree to our use of cookies. Powered by WordPress.com VIP. Therefore, the sense of clothing provides a link between the otherwise antagonistic mother and son. We Need to Talk About Kevin is already playing in NYC; it opens today in LA, Chicago, Houston and Phoenix and is rolling out nationwide. Together, with Hopes parents Janet van Dyne (Michelle Pfeiffer) and Hank Pym (Michael Douglas), and Scotts daughter Cassie Lang (Kathryn Newton), the family finds themselves exploring the Quantum Realm, interacting with strange new creatures and embarking on an adventure that will push them beyond the limits of what they thought possible. Being a child somehow means they're inherently innocent. Some interpreted scene at the gym as her being repulsed by pregnant bodies, but I am thinking she was like "why can't I be happy and bubbly with this child like they are?" How would I behave if basically the weight of a literal realm was on my shoulders? She makes one feel her strung to the breaking point tension in scene after scene. One day, Celia loses one of her eyes from toxic cleaning supplies, and Kevin becomes a prime suspect. Franklin, on the other hand, does not give him a path to honest interactions. Or did Kevin turned this way because she messed him up from the very birth. Eva is entirely bound by the expectations of a culture that fetishizes the mommy and insists upon a particular quality and dynamic in order for relationships to be healthy and normative. Maternal ambivalence turns into filial antagonism, colouring her perception of him as inherently evil. But by the time he is a seven year-old, he starts to act in ways that seem in excess of whatever defects in mother love he may be getting. The camera zooms in, but the scene cuts just before we can get a peek on what's on the other side of it. The film follows the relationship between a mother and son, Eva (Tilda Swinton) and Kevin (played as a teenager by Ezra Miller and as a child by Jasper Newell) through a pastiche of sequences spanning the course of Kevins first eighteen years. 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